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• Create a simple, thought provoking printed piece that presents me as a fancy and smart designer

Restraints

• Cost effective format allowing for plenty of mail-outs
• The limited capacities of photopolymer plates and letterpress printing

Solution

• The piece submits the idea that graphic design goodness is achieved when a designer brings smartness and fancyness together

Other Info

• Date: March 2010
• Client: Self Promotion
• Dimensions: 4.5 × 8.5 inches
• Print Method: letterpress
• Number produced: 150
• Paper Choice: French Muscletone Kraft
• Typefaces: Archer, Happy Hour

• Design a booklet that exhibits good use of type, image, grid and concept
• A cumulative project for the Advanced Typography class

Restraints

• Limited page count
• Text to be written by student
• All photography and illustration to be original or used with permission

Solution

• A history of my ska/punk band from the high school days
• Produced by cutting and pasting type and images onto illustration board and photocopying onto newsprint (in the spirit of the punk-rock DIY zine)
• End papers are flyers for the band’s first and last shows

Other Info

• Date: December 2009
• Class: Advanced Typography
• Dimensions: 7 × 11 inches
• Number of Pages: 24
• Binding: Hand Sewn
• Paper Choice: Newsprint
• Print Method: Photocopies of hand-made mechanicals
• Typefaces: Gotham, Warnock Pro

• Create a booklet that could be used to help a non-profit organization raise money and awareness for their cause
• Show excellent typographic sensitivity

Restraints

• Page size and page count
• Limit two colors
• No use of photographs or illustration, only type elements
• One chart and one table to be included

Solution

• Barcodes to represent the individuals that are sold into sex trafficking
• Pink communicates innocence and that the project is about girls
• Type treatments help convey a youthful tone

Other Info

• Date: November 2009
• Class: Advanced Typography
• Dimensions: 8½ × 12 inches
• Number of Pages: 8
• Binding: Saddle Stitch
• Paper Choice: Cougar Cover and Text
• Print Method: Digital
• Typefaces: Officina Sans & Serif

• Design the artwork for Colonies first LP, Thirty Thousand

Restraints

• Photography and printer was selected prior to hire

Solution

• Minimalist typography shows the character of the photography and emphasizes the band and their music

Other Info

• Date: November 2009
• Client: Colonies, Tacoma Washington
• Dimensions: 5.5 × 5 × 0.25 inches
• Print Method: Offset
• Paper Choice: Reverse C1S Board
• Number produced: 1,000
• Typeface: Gotham

“On an average day consumers are exposed to six thousand advertisements and, each year, to more than twenty-five thousand new products,” according to Scott M. Davis in his book Brand Asset Management.

We often refer to this onslaught of media and marketing as “the clutter” and we say that good design “cuts through” this clutter, making it easier for people to chose the stuff that they take into their own little system.

As a graphic designer, I (and you other designers out there) have the task of cutting through the clutter. If not, I/we are merely adding to the clutter. One way that this process makes sense to me is to compare it to a filter. Filters work by taking a mass of matter and removing parts that are undesirable. A water filter, for example takes water that is full of, well, clutter, and as the water passes through, the unwanted gunk is kept back sending out only the clean, usable water. One notable dimension of any filtration process is that more goes in the in than goes out the out.

Graphic designers work as a sort of visual filter. We, like everyone else out there, take in thousands and thousands of visual messages each day. But! Graphic designers and other visual communicators are also sending out messages, hopefully relevant ones; the kind that cut through and stand out.

When I begin a project (an identity design project, for example), I begin by learning all I can about the company, the consumer, the product and so on. I take note of what in the mass of clutter is relevant to the project—what colors, ideas and concepts, competition, symbols, icons, et cetera relate and in turn communicate. This is where the filtration system comes into play. In order for my design solution to be effective, I have to start with more visual stuff than I ultimately send out and the stuff that I send out must be absolutely relevant.

The quality of any design solution is dependent upon not only the amount of ‘visual stuff’ that the designer takes in, but the ability of that designer to see in a truly unique way and an ability to somehow store that information in an accessible and “searchable” manner. Basically, in order to be innovative in the way we designers send messages, we need to spend enough time innovating how we receive messages. Doing so will make us very effective visual filters.

At this point, I don’t plan on elaborating on how we can innovate our methods of receiving messages, but I will argue that the really good designers seem to have a knack at such a thing.

If you have any thoughts on how we can innovate our reception of visual messages, please share your thoughts in the comments below.

Thank you!

Motion Design Project with Frame-by-Frame Animation

Done for a motion design class, the objective was to create a sequence around a word that would express and present the word as a brand.

I used frame-by-frame animation to acheive the mood and strengthen the concept. This was my first attempt at frame-by-frame.

Frames drawn on a velum with fine point sharpie and photographed with a Nikon D70, photos edited in photoshop, sequenced at 24 fps with a free app called Frame-By-Frame (go figure) and the footage was edited/composited in Adobe After Effects. Music is original, recorded by me.

completed March 2010

• Create a set of 50 cards within a theme
• Include an accordion-folded instruction sheet
• Design and build a chipboard box for all 50 cards and the instruction sheet

Restraints

• Basic structure/form of box set forth
• Only original photographs and/or illustrations

Solution

• A friend and I invented a large-group card game based on a sleuth/covert concept
• Typewriter, file-folder and secret agent style imagery and type help communicate the concept of the game

Other Info

• Date: November 2008
• Class: Graphic Design 235
• Dimensions: Box: 3½ × 4¾ × 1.5 inches, Cards: 3⅛ × 4⅝ inches
• Number of Pages: 50 loose cards
• Binding: Chipboard Box
• Paper Choice: 12 pt C2S
• Typefaces: Helvetica, Typewritter (a real one)

More info about this project can be found here and here. Thanks!

When I reached the day of reckoning on this project, I pulled all the data obtain on my questionnaire and it totaled 100 people exactly. People from all over the world. That seemed perfect. My hope to get a handful of photos, poems, songs, and other ‘expression’ about hope and or fear was hardly realized and so I canned my plans for that aspect of the design. Funny thing happened though . . .

I decided to go and look at the ‘harvest’ of responses again, to see if anyone else had participated, and I was a bit blown away. Well over 1500 have posted their hope and fears. There are also a whole lot of photos, poems, mp3s, and other art! So, when I say that I am done, I am not really done. I have all this awesome data and most of it is not included in the piece I just finished designing and installing. So what now?

Well, I think I will have to write (and design, of course) a book. And I will! When? I am not sure, but I will. Right now things are really busy for me, trying to finish up my BFA program at BYU-Idaho and working freelance and being a Dad to my adorable Nina. But I will do it! I am already starting.

Anyhow, the process of this was really something. I didn’t track how many hours of work went into the project, but it was a lot of hours. Last weekend, I printed everything out, mounted it to foam core and cut it all out. It took about 50 hours to complete just that task. Then I hung it all in the library, using nails and gaffers tape.

While the project is done, it is not done. Stand by.